Medium Well — Wuxi, China, 2026

Photographed for Medium Well in Wuxi, China.

This editorial explores the quiet relationship between fashion, everyday life, and the city. Set in ordinary spaces—car windows, playgrounds, old furniture, empty streets, and forgotten corners—the images follow a young woman drifting through familiar places that slowly become unfamiliar.

Rather than telling a complete story, the photographs create fragments of emotion, leaving space for memory, imagination, and personal interpretation. The project reflects my ongoing interest in how people exist within urban environments, where ordinary spaces can carry subtle tension, solitude, and beauty.

JNBYHOME

This series explores the subtle and unstable relationship between the body and the domestic environment.

Within everyday interiors, fruit, lamps, textiles, kitchen utensils and furniture gradually lose their familiar functions, taking on the appearance of bodies, organs or silent characters. The figures inhabiting these spaces are no longer simply their users. They are supported by furniture, divided by architecture and surrounded by domestic objects, at times appearing less like occupants than objects temporarily placed within the room.

Rather than presenting a complete narrative, the photographs use ordinary gestures, slight displacements and moments of quiet absurdity to examine how the home shifts between familiarity and estrangement. The domestic space becomes both a place of shelter and a soft system of order, in which bodies and objects begin to imitate—and replace—one another.

Energy

Navigation

Information

Interface

The Body Entering

Work / Data

Maintenance

Supply

SYSTEM This series explores how the individual gradually becomes absorbed into the systems of the city — networks of roads, energy, information, devices, and regulation.

From transmission towers, highway signs, and construction machinery to screens, electrical outlets, cables, medicine, and the body, the city appears not simply as a place to live, but as a continuously operating apparatus. Within it, people are connected, directed, maintained, and eventually become part of the system itself.

The work traces this subtle process of alienation. As everyday life becomes increasingly dependent on interfaces, wires, screens, and infrastructure, the boundary between the body and the city begins to dissolve. We continue to inhabit our private lives, while quietly becoming integrated into a larger, colder, and largely invisible order.